![]() We could then rewrite the above sequence as: do, re, mib, fa, sol, lab, tib, do. The notes re#, sol# and la# are equivalent, respectively, to mib, lab and tib. It goes like this: do, re, re#, fa, sol, sol#, la#, do … repeating the cycle. Just follow this sequence starting with the C note. ![]() You are already able to build that scale. The one called “ minor scale“, for example, is formed from the following sequence: tone, semitone, tone, tone, semitone, tone, tone… repeating the cycle. We will show you the major scale of the 7 basic notes:įor other scales, we have other sequences to be followed (other intervals). Do this as an exercise and then check it out below. In the second case, the major scale of G.įollowing the same logic, we can build the major scale of all the 12 notes we know. In the first case, we form the major scale of C. Notice how the same logic was followed (tone, tone, semitone, tone, tone, tone, semitone). The scale would then be: sol, la, ti, do, re, mi, fa#, sol… We could use this same sequence (major scale) starting from a note that was not C, but for example: G. This sequence of distances was: tone, tone, semitone, tone, tone, tone, semitone… repeating the cycle. On this scale, we start with the do note and follow a well-defined sequence of intervals until the return to the do note again. For example: do, re, mi, fa, sol, la, ti, do… repeating this cycle.
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